7000 likes, 70 followers. Architecture or social networks
Lecture given as part of the Máster en Proyectos Arquitectónicos Avanzados, Escuela Técnica Superior de Arquitectura de Madrid
analysing the celebrated buildings of star architects and using a different perspective to look at buildings. For any queries please feel free to mail me at nathigale@gmail.com
comment in the section below, if you want the soft copy! :)
How is architecture criticism adapting to the dramatic transformation of its communication space? After ten years of investigation on the topic, I summarize some of my findings and open up some prospectives for the survival of an endangered discoursive practice .
analysing the celebrated buildings of star architects and using a different perspective to look at buildings. For any queries please feel free to mail me at nathigale@gmail.com
comment in the section below, if you want the soft copy! :)
How is architecture criticism adapting to the dramatic transformation of its communication space? After ten years of investigation on the topic, I summarize some of my findings and open up some prospectives for the survival of an endangered discoursive practice .
Una serie di osservazioni a proposito del regionalismo critico, e in particolare, della necessità di rivedere e aggiornare alcuni elementi della sua impalcatura concettuale, alla luce delle mutate condizioni che caratterizzano la cultura contemporanea.
The topic of this presentation is a particular case among the different kinds of relationships that digital technology etablishes with architectural culture today. More precisely, I will discuss the concept of “post-digital” architecture, which is a concept that has been quite widely debated in the last few years, particularly in relation to architectural practices that recur to techniques of representation privileging 2d image-editing tools such as Photoshop and Illustrator, instead of using advanced 3D modelling and rendering tools. In a nutshell, what I want to discuss is the kind of architectural image, and therefore the kind of architecture, that emerges from a post-digital approach to representation.
A partial state of the art of a research project that is currently underway and that I started to address during my PhD years, when I decided to explore the possible intersections between the new communication technologies that emerged in previous years, social networks in essence, and architectural culture.
A first attempt to investigate the spatial effects of the encounter between the video gaming industry and live streaming, starting from the early 2000s.
The lecture unfolds the stories behind the first two editions of the Unfolding Pavilion: an exhibition and editorial project founded by Daniel Tudor Munteanu and Davide Tommaso Ferrando that pops up at major architecture events in previously inaccessible but architecturally significant buildings.
A dive into theories and buildings belonging to the early history of modern architecture, aimed at putting them in relation with an emerging culture of the surface in western society, which anticipates phenomena more famously observed and theoreticized in the late 1960s by Venturi & Scott Brown.
A collection of thoughts about the influence that Internet and social media are exercising on architectural theory and practice, accompanied by some suggestions about how architects should react to it.
A series of arguments about the possibility (and convenience) to approach architecture theory as a form of storytelling, and as a consequence, architecture as a collection of narratives.
Lecture given for the first time in Trento in the occasion of the opening of the exhibition "Drawn Theories": June 20, 2018. The lecture explores the phenomenon of "Post-Digital" architecture drawings, giving it a brief historical context and recurring to case studies taken from the generation of Italian architects who were born in the 1980s.
Asked "what is architecture?" I'd rather answer to the question "what are the architectures I like". This lecture sums up some of my main research lines regarding contemporary architecture (some missing, though), putting them in a narrative order that allows me to speculate on the current conditions of the discipline.
Lecture about urban design and architecture practices in contemporary China, specifically observed from the point of view of housing speculation and the real estate market.
Lecture on independent architecture editing on social media, given as part of the "Clip Stamp Upload | Editoria Indipendente di Architettura" conference held November 20th, 2015 in Genova.
Lecture dedicated to the (complicated) relation between architecture criticism and social media, given as part of a one-day convention belonging to the program of the Padiglione Architettura curated by Lorenzo Degli Esposti for the Expo 2015 Belle Arti.
Pixel landscapes: urban image as collage
Lecture given as part of the Urban Landscape Design Unit (02ODRPZ) of the Master in Green Areas And Landscape Design, Politecnico di Torino.
Trecentocinquant'anni di sharawaggi: fenomenologia del pittoresco nel paesagg...Davide Tommaso Ferrando
350 Years of Sharawaggi: on the phenomenology of the picturesque in the urban landscape.
Lecture given as part of the Urban Landscape Design Unit (02ODRPZ) of the Master in Green Areas And Landscape Design, Politecnico di Torino.
Una serie di osservazioni a proposito del regionalismo critico, e in particolare, della necessità di rivedere e aggiornare alcuni elementi della sua impalcatura concettuale, alla luce delle mutate condizioni che caratterizzano la cultura contemporanea.
The topic of this presentation is a particular case among the different kinds of relationships that digital technology etablishes with architectural culture today. More precisely, I will discuss the concept of “post-digital” architecture, which is a concept that has been quite widely debated in the last few years, particularly in relation to architectural practices that recur to techniques of representation privileging 2d image-editing tools such as Photoshop and Illustrator, instead of using advanced 3D modelling and rendering tools. In a nutshell, what I want to discuss is the kind of architectural image, and therefore the kind of architecture, that emerges from a post-digital approach to representation.
A partial state of the art of a research project that is currently underway and that I started to address during my PhD years, when I decided to explore the possible intersections between the new communication technologies that emerged in previous years, social networks in essence, and architectural culture.
A first attempt to investigate the spatial effects of the encounter between the video gaming industry and live streaming, starting from the early 2000s.
The lecture unfolds the stories behind the first two editions of the Unfolding Pavilion: an exhibition and editorial project founded by Daniel Tudor Munteanu and Davide Tommaso Ferrando that pops up at major architecture events in previously inaccessible but architecturally significant buildings.
A dive into theories and buildings belonging to the early history of modern architecture, aimed at putting them in relation with an emerging culture of the surface in western society, which anticipates phenomena more famously observed and theoreticized in the late 1960s by Venturi & Scott Brown.
A collection of thoughts about the influence that Internet and social media are exercising on architectural theory and practice, accompanied by some suggestions about how architects should react to it.
A series of arguments about the possibility (and convenience) to approach architecture theory as a form of storytelling, and as a consequence, architecture as a collection of narratives.
Lecture given for the first time in Trento in the occasion of the opening of the exhibition "Drawn Theories": June 20, 2018. The lecture explores the phenomenon of "Post-Digital" architecture drawings, giving it a brief historical context and recurring to case studies taken from the generation of Italian architects who were born in the 1980s.
Asked "what is architecture?" I'd rather answer to the question "what are the architectures I like". This lecture sums up some of my main research lines regarding contemporary architecture (some missing, though), putting them in a narrative order that allows me to speculate on the current conditions of the discipline.
Lecture about urban design and architecture practices in contemporary China, specifically observed from the point of view of housing speculation and the real estate market.
Lecture on independent architecture editing on social media, given as part of the "Clip Stamp Upload | Editoria Indipendente di Architettura" conference held November 20th, 2015 in Genova.
Lecture dedicated to the (complicated) relation between architecture criticism and social media, given as part of a one-day convention belonging to the program of the Padiglione Architettura curated by Lorenzo Degli Esposti for the Expo 2015 Belle Arti.
Pixel landscapes: urban image as collage
Lecture given as part of the Urban Landscape Design Unit (02ODRPZ) of the Master in Green Areas And Landscape Design, Politecnico di Torino.
Trecentocinquant'anni di sharawaggi: fenomenologia del pittoresco nel paesagg...Davide Tommaso Ferrando
350 Years of Sharawaggi: on the phenomenology of the picturesque in the urban landscape.
Lecture given as part of the Urban Landscape Design Unit (02ODRPZ) of the Master in Green Areas And Landscape Design, Politecnico di Torino.
El movimiento moderno en la arquitectura venezolana tuvo sus inicios a mediados del siglo XX, influenciado por la corriente internacional del modernismo. Aunque inicialmente fue resistido por la sociedad conservadora y los arquitectos tradicionalistas, poco a poco se fue abriendo camino y dejando una huella importante en el país.
Uno de los arquitectos más destacados de la época fue Carlos Raúl Villanueva, quien dejó un legado significativo en la arquitectura venezolana con obras como la Ciudad Universitaria de Caracas, considerada Patrimonio de la Humanidad por la UNESCO. Su enfoque en la integración de la arquitectura con el entorno natural y la creación de espacios que favorecen la interacción social, marcaron un punto de inflexión en la arquitectura venezolana.
Otro arquitecto importante en la evolución del movimiento moderno en Venezuela fue Tomás Sanabria, quien también abogó por la integración de la arquitectura con el paisaje y la creación de espacios abiertos y funcionales. Su obra más conocida es el Parque Central, un complejo urbanístico que se convirtió en un ícono de la modernidad en Caracas.
En la actualidad, el movimiento moderno sigue teniendo influencia en la arquitectura venezolana, aunque se ha visto enriquecido por nuevas corrientes y enfoques que buscan combinar la modernidad con la identidad cultural del país. Proyectos como el Centro Simón Bolívar, diseñado por el arquitecto Fruto Vivas, son ejemplos de cómo la arquitectura contemporánea en Venezuela sigue evolucionando y adaptándose a las necesidades actuales.
Arquitectura Ecléctica e Historicista en Latinoaméricaimariagsg
La arquitectura ecléctica e historicista en Latinoamérica tuvo un impacto significativo y dejó un legado duradero en la región. Surgida entre finales del siglo XIX y principios del XX, esta corriente arquitectónica se caracteriza por la combinación de diversos estilos históricos europeos, adaptados a los contextos locales.
Arquitectura Ecléctica e Historicista en Latinoamérica
7000 likes, 70 followers. Arquitectura o social networks
1. 7000 LIKES, 70 FOLLOWERS
ARQUITECTURA O SOCIAL NETWORKS
23.10.2014 | DUE X VENTI | CASCINA ROCCAFRANCA
2. 7000 LIKES, 70 FOLLOWERS
ARQUITECTURA O SOCIAL NETWORKS
23.10.2014 | DUE X VENTI | CASCINA ROCCAFRANCA
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11. TODA LA VIDA EN LAS SOCIEDADES DONDE RIGEN
LAS CONDICIONES MODERNAS DE PRODUCCIÓN SE
MANIFIESTA COMO UNA INMENSA ACUMULACIÓN DE
ESPECTÁCULOS. TODO LO QUE ANTES SE VIVIA
DIRECTAMENTE, SE ALEJA AHORA EN UNA
REPRESENTACIÓN. […]
G. Debord, La sociedad del espectáculo, 1967