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HASSAN FATHY
Egyptian Architect
(1900 -1989)
INTRODUCTION:
Born : March 23, 1900
Alexandria, Egypt
Died : November 30, 1989 (aged 89)
Cairo , Egypt
Nationality : Egyptian
Occupation : Architect,writer
Awards : Aga khan Chairman’s Award for
architecture(1980), Balzan Prize (1980),
Right Livelihood Award (1980)
Hassan Fathy (1900-1989, Arabic) was a noted
Egyptian architect who pioneered appropriate
technology for building in Egypt, especially by
working
to reestablish the use of adobe and tradional as
opposed to western building designs and lay-outs.
Fathy was recognized with the Aga Khan
Chairman’s
Award for Architecture in 1980.
He's even noted for sustainable architecture.
Early life :
Hassan Fathy was born in Alexandria in 1900
He trained as an architect in Egypt, graduating
in 1926 from the King Fuad University (now
Cairo University).
INTRODUCTION ------FYI
NOTETABLE WORKS-
He designed nearly 160 separate projects.
#.NEW GOURNA PROJECT-1945-52
#.AKIL SAMI 'S HOUSE-
#.RAHMAN HOUSE -
#.HAMED STUDIO /HOUSE -
His book -"ARCHITECTURE FOR THE POOR"
FATHY S VIEW ON VERNACULAR
ARCHITECTURE
HIS ARCHITECTURAL PERSEPECTIVES -
¤ Ancient design methods and materials.
¤ Utilizing a knowledge of rural Egyptian economic situation.
¤ Space designed suitable to the surrounding environment.
¤ Low cost construction without using R.C.C and Steel.
¤ Training locals to build one's own house.
SIX MAJOR PRINCIPLES THAT FORM THE CRUX OF
FATHY 'S WORK -
¤ The belief in primacy of human values in architecture.
¤ The importance of universal rather than limited approach
¤ The use of appropriate technology.
¤ The need for socially oriented, Co-operative construction
techniques.
¤ The essential role of tradition.
¤ The re-establishment of cultural pride through the art of
buildings.
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
HIS DESIGN ELEMENTS -
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
HIS DESIGN ELEMENTS-
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
HIS DESIGN ELEMENTS -
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
HIS DESIGN ELEMENTS
FATHY 'S VIEW ON VERNACULAR
ARCHITECTURE.
¤ He was influenced by most of monumental architecture in
the pharaonic period and strongly influenced intellectually
by the concept of the vernacular arch. of the Nubians
¤ Main purpose was housing the poor in developing nation
by applying the concept he was strongly influenced by
which is the vernacular architecture of the Nubians -opened
up his mind to discover the true essence of the heritage and
being inspired by the ancestors work.
¤ His goal was to combine between a comfy descent
housing and a poor being-after all home is where the person
should feel comfortable at ease serene and cool now matter
what the temperature and circumstances outside.
¤ He developed his own ideas, inculcating traditional Arab
styles like the MALKHAF (wind catchers), the shushaykha
(lantern dome), the mashrabaya (wooden lattice screens)
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
¤ He worked decade's in his beloved Egypt before he
designed and built for the homeless community of gourna,
Upper Egypt, which attracted international acclaim.
¤ One would enter a home made updated of local natural
resources with dome shaped ceiling and no electrical air
condition, to find a sudden peace and calm within a cool
atmosphere.
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
OVERALL UNDERSTANDING (BASED ON
MATERIAL)
¤ MUD BRICK - low heat radiation, low cost, availability.
¤ THICK WALLS - high insulation.
¤ Small windows not facing the sun.
¤ WIND CATCHERS -air circulation, a pressure gradient
used to get away with hot air.
¤ QANAT -used with the wind catchers to cool the interior
air by deep cut canal in the floor filled with water.
¤ SCREEN -restricts glare of light.
¤ No use of RCC N STEEL -causes high heat radiation.
¤ Courtyard with partial greenery, to screen dust and sand
FATHY'S VIEW ON VERNACULAR
ARCHITECTURE
OVERALL CONCLUSION -
¤ vernacular architecture is a wise thought of generation
moulded by its culture and regions in which it flourishes.
¤ It's a region specific and cultural specific.
¤ Vernacular design is seen as a limitation by the
guidelines of region and culture or is it learning to live with
these limitations by the utilisation of its potentials to its
maximum.
¤ Therefore Vernacular architecture is result of factor that
frames it.
THANK YOU
Girija - Slide 1-7
Nitin - Slide 8 - 11 and 28- 30
Muaad - Slide 12 -14
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Hassan fathy Egyptian Architect .Presentation

  • 2. INTRODUCTION: Born : March 23, 1900 Alexandria, Egypt Died : November 30, 1989 (aged 89) Cairo , Egypt Nationality : Egyptian Occupation : Architect,writer Awards : Aga khan Chairman’s Award for architecture(1980), Balzan Prize (1980), Right Livelihood Award (1980)
  • 3. Hassan Fathy (1900-1989, Arabic) was a noted Egyptian architect who pioneered appropriate technology for building in Egypt, especially by working to reestablish the use of adobe and tradional as opposed to western building designs and lay-outs. Fathy was recognized with the Aga Khan Chairman’s Award for Architecture in 1980. He's even noted for sustainable architecture.
  • 4. Early life : Hassan Fathy was born in Alexandria in 1900 He trained as an architect in Egypt, graduating in 1926 from the King Fuad University (now Cairo University).
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  • 8. NOTETABLE WORKS- He designed nearly 160 separate projects. #.NEW GOURNA PROJECT-1945-52 #.AKIL SAMI 'S HOUSE- #.RAHMAN HOUSE - #.HAMED STUDIO /HOUSE - His book -"ARCHITECTURE FOR THE POOR"
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  • 21. FATHY S VIEW ON VERNACULAR ARCHITECTURE HIS ARCHITECTURAL PERSEPECTIVES - ¤ Ancient design methods and materials. ¤ Utilizing a knowledge of rural Egyptian economic situation. ¤ Space designed suitable to the surrounding environment. ¤ Low cost construction without using R.C.C and Steel. ¤ Training locals to build one's own house. SIX MAJOR PRINCIPLES THAT FORM THE CRUX OF FATHY 'S WORK - ¤ The belief in primacy of human values in architecture. ¤ The importance of universal rather than limited approach ¤ The use of appropriate technology. ¤ The need for socially oriented, Co-operative construction techniques. ¤ The essential role of tradition. ¤ The re-establishment of cultural pride through the art of buildings.
  • 22. FATHY'S VIEW ON VERNACULAR ARCHITECTURE HIS DESIGN ELEMENTS -
  • 23. FATHY'S VIEW ON VERNACULAR ARCHITECTURE HIS DESIGN ELEMENTS-
  • 24. FATHY'S VIEW ON VERNACULAR ARCHITECTURE HIS DESIGN ELEMENTS -
  • 25. FATHY'S VIEW ON VERNACULAR ARCHITECTURE HIS DESIGN ELEMENTS
  • 26. FATHY 'S VIEW ON VERNACULAR ARCHITECTURE. ¤ He was influenced by most of monumental architecture in the pharaonic period and strongly influenced intellectually by the concept of the vernacular arch. of the Nubians ¤ Main purpose was housing the poor in developing nation by applying the concept he was strongly influenced by which is the vernacular architecture of the Nubians -opened up his mind to discover the true essence of the heritage and being inspired by the ancestors work. ¤ His goal was to combine between a comfy descent housing and a poor being-after all home is where the person should feel comfortable at ease serene and cool now matter what the temperature and circumstances outside. ¤ He developed his own ideas, inculcating traditional Arab styles like the MALKHAF (wind catchers), the shushaykha (lantern dome), the mashrabaya (wooden lattice screens)
  • 27. FATHY'S VIEW ON VERNACULAR ARCHITECTURE ¤ He worked decade's in his beloved Egypt before he designed and built for the homeless community of gourna, Upper Egypt, which attracted international acclaim. ¤ One would enter a home made updated of local natural resources with dome shaped ceiling and no electrical air condition, to find a sudden peace and calm within a cool atmosphere.
  • 28. FATHY'S VIEW ON VERNACULAR ARCHITECTURE OVERALL UNDERSTANDING (BASED ON MATERIAL) ¤ MUD BRICK - low heat radiation, low cost, availability. ¤ THICK WALLS - high insulation. ¤ Small windows not facing the sun. ¤ WIND CATCHERS -air circulation, a pressure gradient used to get away with hot air. ¤ QANAT -used with the wind catchers to cool the interior air by deep cut canal in the floor filled with water. ¤ SCREEN -restricts glare of light. ¤ No use of RCC N STEEL -causes high heat radiation. ¤ Courtyard with partial greenery, to screen dust and sand
  • 29. FATHY'S VIEW ON VERNACULAR ARCHITECTURE OVERALL CONCLUSION - ¤ vernacular architecture is a wise thought of generation moulded by its culture and regions in which it flourishes. ¤ It's a region specific and cultural specific. ¤ Vernacular design is seen as a limitation by the guidelines of region and culture or is it learning to live with these limitations by the utilisation of its potentials to its maximum. ¤ Therefore Vernacular architecture is result of factor that frames it.
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  • 31. THANK YOU Girija - Slide 1-7 Nitin - Slide 8 - 11 and 28- 30 Muaad - Slide 12 -14 Noothan - Slide 18 -20 Suhasini - Slide 21- 27