Conferencia presentada en el Tecnológico de Monterrey Campus Ciudad de México, en octubre 2011, en el marco de la visita y coloquio de Joan Fontcuberta.
La Dra. María Eugenia Bona participó en reuniones de REFLEJAR en Santa Fe y Paraná del 3 al 5 de mayo para elaborar el temario de un próximo encuentro en Buenos Aires y se reunieron con la Corte de Justicia de Santa Fe y Entre Ríos y el Colegio de Abogados de Santa Fe. También se coordinó un curso sobre manejo de casos en Paraná para magistrados y funcionarios de Santa Fe y Entre Ríos.
SUNSEEKER Martinique 36, 1991, 39.950 € For Sale Brochure. Presented By yacht...Wolfgang Stolle
SUNSEEKER Martinique 36
Spain
Sunseeker Martinique 36 1991 For Sale. Great Price For This Well Looked After Example Of The Very Popular Sunseeker Martinique 36. The Current Owner Has Recently Spent Over 3k On New Turbos And Injectors. Situated Out Of The Water And Available To View At Any Time.
For Sale Brochure. Presented By yachtingelite.com. Visit Site http://www.yachtingelite.com by yachtingelite.com. Real Estate,Luxury Property
O edital abre inscrição de chapas para o processo eleitoral do grêmio estudantil da Escola Monsenhor Furtado entre os dias 8 a 11 de maio. As eleições ocorrerão em data a ser definida e a apuração dos votos no dia seguinte. A chapa vencedora será aquela que obtiver o maior número de votos válidos.
This document contains a personal statement and CV for Tracy-Ann Morgan. She has over 20 years of experience working in quality control, laboratory, and food production roles. Her most recent role is as a Quality Control Laboratory Technician for 3M Food Safety where she performs various quality checks and analyses samples to ensure product quality. Prior to this she held roles as a QA Microbiologist and Formulation Technician for Dairy Farmers of Britain and has a background in catering and food service management.
This document outlines requirements for inspection bodies performing inspections according to ISO/IEC 17020:2012. It details requirements across several clauses, including: general requirements for impartiality and independence; structural requirements for administration, organization, management and resources; process requirements for inspection methods, procedures, handling of items, and records; and reporting requirements for inspection reports and certificates. The document provides the inspection body's comments and findings for each requirement, referencing its manuals and procedures.
Jamur memiliki ciri-ciri seperti memiliki membran sel, dapat membuat makanan sendiri, dan berkembang biak secara aseksual dan seksual. Terdapat empat divisi jamur yaitu Zygomycota, Ascomycota, Basidiomycota, dan Deuteromycota. Jamur memiliki peran penting bagi kehidupan manusia, baik yang bermanfaat maupun merugikan.
La Dra. María Eugenia Bona participó en reuniones de REFLEJAR en Santa Fe y Paraná del 3 al 5 de mayo para elaborar el temario de un próximo encuentro en Buenos Aires y se reunieron con la Corte de Justicia de Santa Fe y Entre Ríos y el Colegio de Abogados de Santa Fe. También se coordinó un curso sobre manejo de casos en Paraná para magistrados y funcionarios de Santa Fe y Entre Ríos.
SUNSEEKER Martinique 36, 1991, 39.950 € For Sale Brochure. Presented By yacht...Wolfgang Stolle
SUNSEEKER Martinique 36
Spain
Sunseeker Martinique 36 1991 For Sale. Great Price For This Well Looked After Example Of The Very Popular Sunseeker Martinique 36. The Current Owner Has Recently Spent Over 3k On New Turbos And Injectors. Situated Out Of The Water And Available To View At Any Time.
For Sale Brochure. Presented By yachtingelite.com. Visit Site http://www.yachtingelite.com by yachtingelite.com. Real Estate,Luxury Property
O edital abre inscrição de chapas para o processo eleitoral do grêmio estudantil da Escola Monsenhor Furtado entre os dias 8 a 11 de maio. As eleições ocorrerão em data a ser definida e a apuração dos votos no dia seguinte. A chapa vencedora será aquela que obtiver o maior número de votos válidos.
This document contains a personal statement and CV for Tracy-Ann Morgan. She has over 20 years of experience working in quality control, laboratory, and food production roles. Her most recent role is as a Quality Control Laboratory Technician for 3M Food Safety where she performs various quality checks and analyses samples to ensure product quality. Prior to this she held roles as a QA Microbiologist and Formulation Technician for Dairy Farmers of Britain and has a background in catering and food service management.
This document outlines requirements for inspection bodies performing inspections according to ISO/IEC 17020:2012. It details requirements across several clauses, including: general requirements for impartiality and independence; structural requirements for administration, organization, management and resources; process requirements for inspection methods, procedures, handling of items, and records; and reporting requirements for inspection reports and certificates. The document provides the inspection body's comments and findings for each requirement, referencing its manuals and procedures.
Jamur memiliki ciri-ciri seperti memiliki membran sel, dapat membuat makanan sendiri, dan berkembang biak secara aseksual dan seksual. Terdapat empat divisi jamur yaitu Zygomycota, Ascomycota, Basidiomycota, dan Deuteromycota. Jamur memiliki peran penting bagi kehidupan manusia, baik yang bermanfaat maupun merugikan.
This document discusses experimental categorization and deep visualization as approaches to analyzing culture using techniques from visual computing and data analysis. It describes cultural analytics as using heterogeneous data and visualization tools to analyze relationships and patterns in global culture. Experimental categorization involves developing innovative and provisional dimensions for describing visual images based on characteristics like color, shape, and texture. Deep visualization makes the underlying technical processes behind images and visualizations more transparent. Examples of projects applying these approaches are provided.
Présentation au Colloque “Analyser l’archive visuelle par l’image”
Organisateurs : M.G. Dondero, M. Hagelstein, T. Lenain, J. Portela
8 et 9 décembre 2016 | Université de Liège, Belgique
The document summarizes the 5th Computer Art Congress held from October 26-28, 2016 in Paris, France. The conference included 29 talks, 2 invited talks, 1 roundtable, and 11 artworks. It had a total of 80 submissions and 45 accepted presentations for an acceptance rate of 56%. The proceedings were later published containing the presentations and were made freely available as a 468-page PDF online. The scientific committee consisted of 34 members from various academic institutions around the world specializing in digital art and new media.
Greimas.exe: digital code in the generative trajectory of expressionEverardo Reyes-García
This document discusses analyzing computer code from a semiotic perspective. It proposes understanding code as a dynamic component within a generative trajectory of expression. This involves analyzing code at different levels, including signs, texts, objects, practices, strategies, and life forms. Each level involves both a form and substance. Programming languages influence logical modeling and practices. Different languages like FORTRAN, BASIC, and Java are discussed in terms of the programming paradigms and user interfaces they employ. The document argues for analyzing every level of the generative trajectory to see how matter and substance modify interpretations and meaning when computer code is transposed between digital and human cultures.
Colloque International. L’organogenèse : pour un nouveau paradigme en art et design.
Organisateurs : Samuel Bianchini, Igor Galligo, Everardo Reyes, Bernard Stiegler.
Oct. 15 - 16, 2015. ENSAD, Paris
Presentation at seminar Software and the Digital Humanities at Institut d'études avancées, Paris. November 4, 2015. Organized by Warren Sack and Nachum Dershowitz
This document discusses media art software and its role in digital art. It begins by noting that artists have always created their own tools, and in the digital era some of these tools are considered "media art software." However, media art software is distinct from both artistic software and general media software. The document explores how media art software can be understood as a media, a form of digital subjectivity, and a "unit operation." It provides examples of media art software and discusses how software reflects culture and ideology. It concludes by proposing ways to document and categorize media art software.
This document summarizes Dr. Everardo Reyes-Garcia's presentation on explorations in media visualization. It discusses the history of data visualization from Euclid to modern tools. It also reviews techniques like pixelation, image averaging, and slicing used to analyze media. Experimental projects are presented that disrupt 3D models, use handmade approaches, or explore 4D and non-Euclidean geometry. The document concludes by questioning if current work focuses more on workflows than new inventions and more on representing space than time.
Introducing digital humanities through the analysis of cultural productionsEverardo Reyes-García
1. The document introduces digital humanities through the analysis of cultural productions using tailored toolkits of digital methods.
2. It discusses analyzing complex properties of cultural productions and moving toward design-based learning through possible approaches like creating analytical maps of selected cultural productions using various data gathering and information processing techniques.
3. Examples of student-created analytical maps are shown that reveal patterns in the types of cultural productions analyzed and top artists and directors.
This document summarizes a conference presentation on semiotics, software, and media visualization. It discusses using media visualization to analyze large amounts of visual media and observe patterns over time. It provides examples of visualizing a Van Gogh's artwork production and simulating biological systems. The presentation addresses making the invisible aspects of visual media visible, such as visual features, spatial and temporal patterns, and software operations. It emphasizes documenting the scientific experience behind images to provide context and foster different types of visual experiences.
Conférence publique présentée au Centre Malher, Paris, le mercredi 22 mai 2013
dans le cadre du séminaire Histoire Sociale du rock
Responsables : Arnaud Baubérot et Florence Tamagne
This document discusses disrupting 3D models through digital images and interfaces. It explores distributing color, shape, and texture properties of 2D and 3D images according to different rules through software plugins, and discusses generating and disrupting 3D objects randomly. It proposes that these disrupted models could be 3D printed and analyzed as visual elements and plastic signs rather than figurative representations. The document also references specific examples like film sequences and title sequences to illustrate motion structures and discusses presenting the disrupted models through a website.
Business Plan -rAIces - Agro Business Techjohnyamg20
Innovación y transparencia se unen en un nuevo modelo de negocio para transformar la economia popular agraria en una agroindustria. Facilitamos el acceso a recursos crediticios, mejoramos la calidad de los productos y cultivamos un futuro agrícola eficiente y sostenible con tecnología inteligente.
This document discusses experimental categorization and deep visualization as approaches to analyzing culture using techniques from visual computing and data analysis. It describes cultural analytics as using heterogeneous data and visualization tools to analyze relationships and patterns in global culture. Experimental categorization involves developing innovative and provisional dimensions for describing visual images based on characteristics like color, shape, and texture. Deep visualization makes the underlying technical processes behind images and visualizations more transparent. Examples of projects applying these approaches are provided.
Présentation au Colloque “Analyser l’archive visuelle par l’image”
Organisateurs : M.G. Dondero, M. Hagelstein, T. Lenain, J. Portela
8 et 9 décembre 2016 | Université de Liège, Belgique
The document summarizes the 5th Computer Art Congress held from October 26-28, 2016 in Paris, France. The conference included 29 talks, 2 invited talks, 1 roundtable, and 11 artworks. It had a total of 80 submissions and 45 accepted presentations for an acceptance rate of 56%. The proceedings were later published containing the presentations and were made freely available as a 468-page PDF online. The scientific committee consisted of 34 members from various academic institutions around the world specializing in digital art and new media.
Greimas.exe: digital code in the generative trajectory of expressionEverardo Reyes-García
This document discusses analyzing computer code from a semiotic perspective. It proposes understanding code as a dynamic component within a generative trajectory of expression. This involves analyzing code at different levels, including signs, texts, objects, practices, strategies, and life forms. Each level involves both a form and substance. Programming languages influence logical modeling and practices. Different languages like FORTRAN, BASIC, and Java are discussed in terms of the programming paradigms and user interfaces they employ. The document argues for analyzing every level of the generative trajectory to see how matter and substance modify interpretations and meaning when computer code is transposed between digital and human cultures.
Colloque International. L’organogenèse : pour un nouveau paradigme en art et design.
Organisateurs : Samuel Bianchini, Igor Galligo, Everardo Reyes, Bernard Stiegler.
Oct. 15 - 16, 2015. ENSAD, Paris
Presentation at seminar Software and the Digital Humanities at Institut d'études avancées, Paris. November 4, 2015. Organized by Warren Sack and Nachum Dershowitz
This document discusses media art software and its role in digital art. It begins by noting that artists have always created their own tools, and in the digital era some of these tools are considered "media art software." However, media art software is distinct from both artistic software and general media software. The document explores how media art software can be understood as a media, a form of digital subjectivity, and a "unit operation." It provides examples of media art software and discusses how software reflects culture and ideology. It concludes by proposing ways to document and categorize media art software.
This document summarizes Dr. Everardo Reyes-Garcia's presentation on explorations in media visualization. It discusses the history of data visualization from Euclid to modern tools. It also reviews techniques like pixelation, image averaging, and slicing used to analyze media. Experimental projects are presented that disrupt 3D models, use handmade approaches, or explore 4D and non-Euclidean geometry. The document concludes by questioning if current work focuses more on workflows than new inventions and more on representing space than time.
Introducing digital humanities through the analysis of cultural productionsEverardo Reyes-García
1. The document introduces digital humanities through the analysis of cultural productions using tailored toolkits of digital methods.
2. It discusses analyzing complex properties of cultural productions and moving toward design-based learning through possible approaches like creating analytical maps of selected cultural productions using various data gathering and information processing techniques.
3. Examples of student-created analytical maps are shown that reveal patterns in the types of cultural productions analyzed and top artists and directors.
This document summarizes a conference presentation on semiotics, software, and media visualization. It discusses using media visualization to analyze large amounts of visual media and observe patterns over time. It provides examples of visualizing a Van Gogh's artwork production and simulating biological systems. The presentation addresses making the invisible aspects of visual media visible, such as visual features, spatial and temporal patterns, and software operations. It emphasizes documenting the scientific experience behind images to provide context and foster different types of visual experiences.
Conférence publique présentée au Centre Malher, Paris, le mercredi 22 mai 2013
dans le cadre du séminaire Histoire Sociale du rock
Responsables : Arnaud Baubérot et Florence Tamagne
This document discusses disrupting 3D models through digital images and interfaces. It explores distributing color, shape, and texture properties of 2D and 3D images according to different rules through software plugins, and discusses generating and disrupting 3D objects randomly. It proposes that these disrupted models could be 3D printed and analyzed as visual elements and plastic signs rather than figurative representations. The document also references specific examples like film sequences and title sequences to illustrate motion structures and discusses presenting the disrupted models through a website.
Business Plan -rAIces - Agro Business Techjohnyamg20
Innovación y transparencia se unen en un nuevo modelo de negocio para transformar la economia popular agraria en una agroindustria. Facilitamos el acceso a recursos crediticios, mejoramos la calidad de los productos y cultivamos un futuro agrícola eficiente y sostenible con tecnología inteligente.
ACERTIJO DESCIFRANDO CÓDIGO DEL CANDADO DE LA TORRE EIFFEL EN PARÍS. Por JAVI...JAVIER SOLIS NOYOLA
El Mtro. JAVIER SOLIS NOYOLA crea y desarrolla el “DESCIFRANDO CÓDIGO DEL CANDADO DE LA TORRE EIFFEL EN PARIS”. Esta actividad de aprendizaje propone el reto de descubrir el la secuencia números para abrir un candado, el cual destaca la percepción geométrica y conceptual. La intención de esta actividad de aprendizaje lúdico es, promover los pensamientos lógico (convergente) y creativo (divergente o lateral), mediante modelos mentales de: atención, memoria, imaginación, percepción (Geométrica y conceptual), perspicacia, inferencia y viso-espacialidad. Didácticamente, ésta actividad de aprendizaje es transversal, y que integra áreas del conocimiento: matemático, Lenguaje, artístico y las neurociencias. Acertijo dedicado a los Juegos Olímpicos de París 2024.
CINE COMO RECURSO DIDÁCTICO para utilizar en TUTORÍA
Visualización y Análisis Visual de VFX de Inception
1. Visualización y Análisis de VFX en Inception
una perspectiva analítica cultural
Dr. Everardo Reyes García
Tecnológico de Monterrey Campus Toluca
Friday, January 13, 12
2. Análisis: Semiótico Visual
Método: Cultural Analytics
Técnica: Image Processing
Objetivo: Manipular la imagen [ icónica ] de Incpetion para resaltar
sus propiedades visuales
Resultado: Producir [ generar ] imágenes estáticas y animadas que, a
su vez, pueden ser vistas como imágenes indiciales y simbólicas
Friday, January 13, 12
3. ¿Qué son los VFX?
cualquier manipulación visual de imágenes en movimiento, lograda con cámaras,
proyectores, impresoras ópticas, impresoras de imágenes aéreas, sistemas de
proyección y retro-proyección, o con composición digital mediante computadoras
[ Smith, 1986 ]
nuevo medio: en constante cambio, innovador
Friday, January 13, 12
4. ¿Qué es la Analítica Cultural?
combina el análisis de datos y la visualización interactiva de información para investigar
y mostrar la cultura [ Manovich, 2009 ]
Friday, January 13, 12
5. VFX Inception
Oscar Mejores Efectos Visuales: Paul Franklin, Chris Corbould, Andrew Lockley &
Peter Bebb
Double Negative hizo todos los VFX, incluyendo “Limbo City, the Paris fold-over
sequence and the fortress explosion ” [ dneg.com ].
500 shots de CGI realista [ promedio Hollywood = 2,000 shots aprox ] [ Wired, 2010 ]
Friday, January 13, 12
6. Análisis de Redes de Colaboración
Nolan + Franklin, Corbould, Lockley, Bebb
Friday, January 13, 12
46. VFX
Realismo figurativo: calidad de imágenes, complejidad, estilo 3D
Signos plásticos: distorsión del tiempo, composición espacial, transformaciones,
colores, texturas, formas
Friday, January 13, 12
47. Conclusiones:
La lectura e interpretación de las imágenes resultantes
necesita más investigación en sus conceptos, métodos y técnicas
Abstraer imágenes icónicas para observar propiedades plásticas
Hacia signos plásticos indiciales y signos plásticos simbólicos
Patrones como unidad de análisis
Retórica visual y rigor analítico
El cine y los VFX tienden a la pintura
Friday, January 13, 12
48. Muchas Gracias
Dr. Everardo Reyes García
Tecnológico de Monterrey Campus Toluca
Friday, January 13, 12