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Raj Rewal was born in Hoshiarpur, Punjab in 1934 and was among those who first encountered the application of advanced western theories of urban and building technologies in their country. Here is a presentation on the life and works of Legendary Indian Architect Raj Rewal
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Class 11A Modernism in Central and South America Pier Luigi Nervi Italian, 1891-1979 Aircraft Hangar Orvieto, Italy 1936 Nervi: Palazzetto dello Sport Rome, 1956 Nervi: Palazzetto dello Sport Eduardo Torroja Spanish, 1899-1961 La Zarzuela Racecourse Madrid, 1935 Oscar Niemeyer Brazilian, 1907-2012 Ministry of Education Rio de Janeiro, Brazil 1935-45 (with Le Corbusier and Lucio Costa) Niemeyer: Church of St. Francis of Assisi Pampulha, Brazil 1943 Niemeyer: Church of St. Francis Niemeyer: United Nations, NYC 1945 (with Le Corbusier and Lucio Costa, finished by Wallace Harrison) Niemeyer: Brasilia, 1956-60 (City plan by Lucio Costa) Niemeyer and Costa: Brasilia Brasilia Niemeyer: Brasilia National Congress Building Niemeyer: Brasilia Presidential Palace Niemeyer: Brasilia Cathedral of Brasilia Niemeyer: Cathedral of Brasilia Luis Barragán Mexican, 1902-1988 House for the Architect Mexico City, 1947 Barragán: Casa Barragán Barragán: Casa Barragán Barragán: Casa Gilardi Mexico City, 1975 Barragán: Casa Gilardi Barragán: Casa Gilardi Next: Non-Western Modernism FINAL PROJECT REVIEW THURSDAY!!! Class 11B Non-Western Modernism Eladio Dieste Uruguayan, 1917-2000 Christ the Worker Church Atlantida, Uruguay 1958 Modernism in Japan Kunio Maekawa Japanese, 1905-1986 Nippon Sogo Bank Tokyo 1952 Maekawa: Harumi Flats (Apartments) Tokyo, 1958 Kenzo Tange Japanese, 1913-2005 Peace Memorial and Museum Hiroshima, 1949-55 Tange: Hiroshima Peace Memorial Tange: Hiroshima Peace Memorial Tange: Yoyogi National Gymasium Tokyo 1961 Tange: Yoyogi National Gymasium Tange: Yoyogi National Gymasium Tange: St. Mary’s Cathedral Tokyo 1964 Tange: St. Mary’s Cathedral Tange: Yamanashi Press and Broadcast Center Kofu, Japan 1961 Arata Isozaki Japanese, b. 1931 “Metabolist” City in the Air, 1963 Metabolists: “Unlike the architecture of the past, contemporary architecture must be changeable, movable and capable of meeting the changing requirements of the contemporary age. In order to reflect reality, what is needed is not a fixed, static function, but rather one which is capable of undergoing metabolic changes. We must stop thinking in terms of function and form, and thin instead on terms of space and changeable function.” Next: Scandinavian Modernism Class 12A Scandinavian Modernism Southern Europe Northern Europe Gunnar Asplund Swedish, 1885-1940 “Nordic Classicism” Stockholm Public Library, 1928 Asplund: Stockholm Public Library Asplund: Gothenberg Courthouse addition, 1914-1937 Asplund: Gothenberg Courthouse Addition Eliel Saarinen Finnish, 1873-1950 National Museum of Finland Helsinki, 1904 Eliel Saarinen Helsinki Railway Station, 1909 Eliel Saarinen Helsinki Railway Station Eliel Saarinen: Chicago Tribune Competition, 1922 Second Place Eliel Saari ...
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Ernest Hemingway's For Whom the Bell Tolls
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FCSarch 40 Louis Kahn
1.
Louis Kahn “
What does the Building want to be?” – Kahn
2.
Richards Medical Research
Building at Penn (1957-60) Richards Medical Research (U Penn) 1957
3.
4.
5.
Campanili in village
of San Gimigano, Italy
6.
Construction
7.
exterior, structural detail
8.
plan
9.
Office module
10.
Salk Institute for
Biological Studies , La Jolla (1959-65) Salk Institute La Jolla, CA 1959
11.
12.
13.
14.
15.
16.
17.
Barnet Newman
18.
Barnet Newman
19.
20.
21.
plan
22.
23.
Library, Philips Exeter
Academy , Exeter, NH, 1968-72 the largest endowment of any secondary school in the United States $639 million. Exeter Academy Library, Exeter, NH 1968
24.
25.
26.
27.
28.
29.
30.
31.
32.
33.
Interior, stair
34.
Interior, carol
35.
Kimbell Art Museum
, Fort Worth, TX (1966-72) Kimbell Art Museum Fort Worth, TX 1966
36.
Section (built from
the inside out)
37.
38.
39.
40.
41.
42.
43.
44.
National Assembly Building
Dhaka, Bangladesh 1962
45.
46.
Dhaka, City map
47.
Site drawing
48.
A man-made moat
separates the National Assembly block from the other buildings in the complex
49.
50.
51.
52.
53.
plan, main building
54.
55.
56.
57.
58.
59.
60.
61.
62.
63.
64.
65.
Prayer hall
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