Este documento presenta un libro de ejercicios de Microsoft Word para el curso de Informática 4oB. Contiene 20 ejercicios diferentes sobre cómo crear y formatear documentos en Word como cartas, tablas, menús, horarios, facturas, esquemas numerados, currículums, reservas, formularios automáticos, torneos, organigramas, montajes de fotos, artículos, carteles, circulares y documentos con fórmulas y columnas.
Water is probably the most important resource on Earth.We need water to grow and to stay alive. In fact, we could only live for a few days without drinking water. We also need water to grow plants and care for animals, cook our food, bathe and brush our teeth, flush the toilet, and wash our clothes.
Shared mobility could have a huge impact on mobility behaviour and space consumption: Therefore it is crucial to integrate this in every Sustainable Urban Mobility Plan. And seriously: A real ambition and strategy! Insights shared by Taxistop, supported by Interreg NorthSea - Share-North project. #WeLoveSharing
Cloud Storage has become the most popular data storing option in the corporate life. Cloud and the business surrounding it is growing faster than every previous day. The easy accessibility, trustworthy security system and money efficiency have made cloud popular among people. Have a light cloud journey for yourself! :D
Water is probably the most important resource on Earth.We need water to grow and to stay alive. In fact, we could only live for a few days without drinking water. We also need water to grow plants and care for animals, cook our food, bathe and brush our teeth, flush the toilet, and wash our clothes.
Shared mobility could have a huge impact on mobility behaviour and space consumption: Therefore it is crucial to integrate this in every Sustainable Urban Mobility Plan. And seriously: A real ambition and strategy! Insights shared by Taxistop, supported by Interreg NorthSea - Share-North project. #WeLoveSharing
Cloud Storage has become the most popular data storing option in the corporate life. Cloud and the business surrounding it is growing faster than every previous day. The easy accessibility, trustworthy security system and money efficiency have made cloud popular among people. Have a light cloud journey for yourself! :D
A maioría das rochas que podemos encontrar na parte máis superficial da codia terrestre formáronse en zonas profundas, onde as condicións reinantes son totalmente diferentes.
Artwork-centred sociality in museums and galleriesMarcus Winter
The concept of object-centred sociality (Engeström, 2005) is well established on the Web and has been transferred to physical museums and galleries to explain how visitors engage with each other around social objects (Simon, 2010). While designers of Web-based museum experiences have a wide range of well-established tools at their disposal to support object centred sociality and user generated content, curators of physical exhibitions typically rely on feedback boards and visitor books to foster engagement and encourage interpretation.
Ubiquitous annotation, described by Hansen (2006) as attaching digital information to physical objects and places, offers a way to go beyond the limitations of physical feedback boards. It enables unobtrusive, in-situ annotation of specific artworks and results in digital content that can be readily re-used and re-mediated. Recent efforts to employ ubiquitous annotation in museums include a bespoke system by Hsu & Liao (2011), iPad based object labels by Gray et al. (2012) and a platform involving custom mobile devices by Seirafi & Seirafi (2012). Adoption of these systems requires substantial commitment from host organisations in the form of financial investment, custom development and change of work practices. Furthermore, visitor interaction with these systems is problematic due to usability problems with static touchpoints that cannot display state information or interaction feedback.
The project is developing a light-weight, generic ubiquitous annotation platform that makes artwork-centred commenting and rating feasible even for smaller, low-budget arts organisations. It enables visitors to browse and create comments and ratings using their mobile phone. The project is developing novel dynamic touchpoints that address many of the usability problems associated with static touchpoints. For curators, the system provides an analytics backend to maintain editorial control, re-use contributed content and analyse engagement levels with a view to enhancing the visitor experience. The project is at an early stage and seeks discussions with researchers and museums professionals to inform the design and research.
Unidad_2_B8_Land_Art.(1).pptx land art fotografia artefusiongalaxial333
El Land Art es un movimiento artístico surgido a finales de los años 60 y principios de los 70, en el que los artistas utilizan el paisaje natural como medio y materia prima para sus obras. A menudo, estas obras son de gran escala y se integran en su entorno de manera que alteran el paisaje de forma temporal o permanente. Aquí algunos puntos clave sobre el Land Art:
A maioría das rochas que podemos encontrar na parte máis superficial da codia terrestre formáronse en zonas profundas, onde as condicións reinantes son totalmente diferentes.
Artwork-centred sociality in museums and galleriesMarcus Winter
The concept of object-centred sociality (Engeström, 2005) is well established on the Web and has been transferred to physical museums and galleries to explain how visitors engage with each other around social objects (Simon, 2010). While designers of Web-based museum experiences have a wide range of well-established tools at their disposal to support object centred sociality and user generated content, curators of physical exhibitions typically rely on feedback boards and visitor books to foster engagement and encourage interpretation.
Ubiquitous annotation, described by Hansen (2006) as attaching digital information to physical objects and places, offers a way to go beyond the limitations of physical feedback boards. It enables unobtrusive, in-situ annotation of specific artworks and results in digital content that can be readily re-used and re-mediated. Recent efforts to employ ubiquitous annotation in museums include a bespoke system by Hsu & Liao (2011), iPad based object labels by Gray et al. (2012) and a platform involving custom mobile devices by Seirafi & Seirafi (2012). Adoption of these systems requires substantial commitment from host organisations in the form of financial investment, custom development and change of work practices. Furthermore, visitor interaction with these systems is problematic due to usability problems with static touchpoints that cannot display state information or interaction feedback.
The project is developing a light-weight, generic ubiquitous annotation platform that makes artwork-centred commenting and rating feasible even for smaller, low-budget arts organisations. It enables visitors to browse and create comments and ratings using their mobile phone. The project is developing novel dynamic touchpoints that address many of the usability problems associated with static touchpoints. For curators, the system provides an analytics backend to maintain editorial control, re-use contributed content and analyse engagement levels with a view to enhancing the visitor experience. The project is at an early stage and seeks discussions with researchers and museums professionals to inform the design and research.
Unidad_2_B8_Land_Art.(1).pptx land art fotografia artefusiongalaxial333
El Land Art es un movimiento artístico surgido a finales de los años 60 y principios de los 70, en el que los artistas utilizan el paisaje natural como medio y materia prima para sus obras. A menudo, estas obras son de gran escala y se integran en su entorno de manera que alteran el paisaje de forma temporal o permanente. Aquí algunos puntos clave sobre el Land Art:
La arquitectura paleocristiana y bizantina son dos estilos arquitectónicos distintivos que se desarrollaron en la historia del arte y la arquitectura.
La arquitectura paleocristiana se refiere al estilo arquitectónico que surgió en los primeros siglos del cristianismo, desde aproximadamente el siglo II hasta el siglo VI. Este estilo se caracteriza por el uso de elementos como columnas, arcos, bóvedas y cúpulas, a menudo incorporando influencias de la arquitectura romana. Las iglesias paleocristianas tempranas solían ser de planta basilical, con una disposición longitudinal y un énfasis en la simplicidad y la funcionalidad.
Por otro lado, la arquitectura bizantina se desarrolló a partir del siglo VI en el Imperio Bizantino (el antiguo Imperio Romano de Oriente) y continuó hasta la caída de Constantinopla en 1453. Este estilo se caracteriza por el uso de cúpulas, arcos de medio punto, mosaicos elaborados, columnas esbeltas y una profusión de detalles ornamentales. Las iglesias bizantinas suelen tener una planta centralizada, con una cúpula central que domina el espacio interior.
Ambos estilos arquitectónicos reflejan la evolución del arte y la cultura durante períodos históricos específicos y han dejado un legado duradero en la historia de la arquitectura occidental.
Las características principales de la arquitectura paleocristiana son:
1. Planta basilical: Las iglesias paleocristianas tempranas tenían una planta basilical, es decir, una disposición longitudinal con una nave central y dos laterales.
2. Simplicidad y funcionalidad: El énfasis en la simplicidad y la funcionalidad era una característica importante de la arquitectura paleocristiana. Las iglesias solían ser espacios sencillos y sin adornos excesivos.
3. Uso de elementos romanos: La arquitectura paleocristiana incorporaba elementos de la arquitectura romana, como columnas, arcos y bóvedas.
4. Uso de cúpulas: Aunque no tan comunes como en la arquitectura bizantina, algunas iglesias paleocristianas también incluían cúpulas.
Las características principales de la arquitectura bizantina son:
1. Cúpulas: La arquitectura bizantina se caracteriza por el uso de cúpulas, que pueden ser grandes y dominantes en el espacio interior.
2. Arco de medio punto: Los arcos de medio punto son comunes en la arquitectura bizantina, tanto en las cúpulas como en los espacios interiores.
3. Mosaicos elaborados: Los mosaicos eran una forma de decoración muy importante en la arquitectura bizantina. Estos mosaicos solían representar escenas religiosas y eran elaborados y coloridos.
4. Columnas esbeltas: Las columnas en la arquitectura bizantina suelen ser delgadas y altas, dando una sensación de ligereza y elegancia.
5. Detalles ornamentales: La arquitectura bizantina está llena de detalles ornamentales, como motivos geométricos, cruces, hojas de acanto y otros elementos decorativos.
Estas son solo algunas de las características principales de cada estilo, pero es importante tener en cuenta sus difere
1. IES AUGA DA LAXE
2015
Libro de ejercicios de
word
Informática 4ºB
Ana Soriano Martínez
[ E S C R I B I R L A D I R E C C I Ó N D E L A C O M P A Ñ Í A ]
![IES AUGA DA LAXE
2015
Libro de ejercicios de
word
Informática 4ºB
Ana Soriano Martínez
[ E S C R I B I R L A D I R E C C I Ó N D E L A C O M P A Ñ Í A ]](https://image.slidesharecdn.com/libro-151214102616/85/Libro-1-320.jpg)
