2b - RENAISSANCE VOCAL MUSIC.pptx
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The document summarizes Renaissance vocal music genres, including sacred and secular styles. It provides details on prominent composers such as Palestrina, Victoria, Praetorius, Morley, and Encina. Palestrina was an influential Italian composer of masses and motets, considered the best representative of the Roman School. Victoria was a famous 16th century Spanish composer and student of Palestrina. Praetorius was a versatile German composer and organist who influenced Protestant hymn forms. Morley was a leading English madrigalist. Encina was a Spanish poet and composer included in important song collections of the 15th century.
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2b - RENAISSANCE VOCAL MUSIC.pptx
This document discusses Renaissance vocal music genres such as the Mass, Motet, Lutheran chorale, and Anglican anthem in sacred music. It profiles influential 16th century composers including Giovanni Pierluigi da Palestrina, known as the best representative of the Roman School and considered the culmination of Renaissance polyphony. Tomas Luis de Victoria was one of the most important Counter Reformation composers along with Palestrina and Lasso. Secular genres discussed include the Spanish villancico and romance, English madrigal, German lied, and Italian villanella. Thomas Morley was the most famous composer of secular music in Elizabethan England, and Juan del Encina was a pioneering Spanish composer who published a collection of dramatic poems
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This document discusses the genres and composers of Renaissance vocal music. It focuses on sacred vocal music such as the Mass, Motet, and Lutheran chorale composed by Palestrina, Victoria, and Praetorius. It also discusses secular vocal music like the Madrigal, Villancico, and Lied, highlighting English Madrigal composer Thomas Morley and Spanish Villancico composer Juan del Encina. The document provides brief biographies of these composers and includes musical excerpts from works like Palestrina's Pope Marcello Mass and Victoria's motet Magi Viderunt Stellam.
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2b - RENAISSANCE VOCAL MUSIC.pptx
This document discusses Renaissance vocal music genres such as the Mass, Motet, Lutheran chorale, and Anglican anthem in sacred music. It profiles influential 16th century composers including Giovanni Pierluigi da Palestrina, known as the best representative of the Roman School and considered the culmination of Renaissance polyphony. Tomas Luis de Victoria was one of the most important Counter Reformation composers along with Palestrina and Lasso. Secular genres discussed include the Spanish villancico and romance, English madrigal, German lied, and Italian villanella. Thomas Morley was the most famous composer of secular music in Elizabethan England, and Juan del Encina was a pioneering Spanish composer who published a collection of dramatic poems
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Follow and subscribe on my Youtube channel for the Video of this presentation with voice over
https://m.youtube.com/c/RoxanneLavarias
If you want to have a copy of this presentation, just email me at roxannelynredrico@gmail.com
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This document provides an overview of music from the Medieval, Renaissance, and Baroque periods. It discusses the characteristics of music from each period, including that Medieval music was monophonic, Renaissance music became polyphonic, and Baroque music featured more elaborate melodies and dynamic contrasts. Performance practices like Gregorian chant, madrigals, and motets are described. The document also gives examples of important composers from each era like Adam de la Halle, Giovanni Palestrina, and Thomas Morley as well as genres like oratorios, cantatas, and suites that developed in the Baroque period. Other art forms from each period like Byzantine church mosaics, stained glass windows, and paintings by Leonardo da Vinci
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Follow and subscribe on my Youtube channel for the Video of this presentation with voice over
https://m.youtube.com/c/RoxanneLavarias
If you want to have a copy of this presentation, just email me at roxannelynredrico@gmail.com
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El documento presenta una introducción general sobre el Renacimiento en Europa entre los siglos XV y XVI. Se destacan las características principales de este periodo como el antropocentrismo, los viajes y descubrimientos, y el desarrollo de las artes y las ciencias. También incluye información sobre importantes artistas renacentistas como Leonardo da Vinci, Miguel Ángel, y Albrecht Dürer, así como ejemplos de arquitectura renacentista como la cúpula de la catedral de Florencia. Por último, presenta breves extractos
0a.- EL RENACIMIENTO (1) - INTRODUCCIÓN.pptx
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2b - RENAISSANCE VOCAL MUSIC.pptx
The document discusses Renaissance vocal music, focusing on sacred and secular genres from the 16th century Golden Age of Polyphony. It profiles several influential composers of the time including Giovanni Pierluigi da Palestrina, who had a lasting influence on the development of church music; Tomás Luis de Victoria, one of the most important composers of the Counter Reformation; and Michael Praetorius, a German composer who influenced the development of musical forms based on Protestant hymns. It also discusses English madrigal composer Thomas Morley and Spanish poet and composer Juan del Encina, providing musical excerpts from their works to illustrate the genres of the period.
0a.- THE RENAISSANCE ERA (1) - INTRODUCTION.pptx
Este documento resume las características clave del Renacimiento en Europa entre 1400-1600. Se centró en el humanismo, con el ser humano como centro del universo en lugar de Dios. Llevó a nuevas ideas en las ciencias naturales y humanas, y una mayor importancia dada a la educación. Las artes florecieron durante este período con pintores como Leonardo da Vinci y Miguel Ángel, y arquitectos como Brunelleschi. La literatura en España también reflejó los ideales renacentistas de armonía, equilibrio y proporción a
0a.- THE RENAISSANCE ERA (1) - INTRODUCTION.pptx
Este documento resume las características clave del Renacimiento (1400-1600), incluyendo el cambio desde una mentalidad teocéntrica a antropocéntrica, el desarrollo de las ciencias naturales y humanas, y la importancia dada a la belleza, la proporción y la razón en las artes. También menciona algunas de las obras maestras de artistas renacentistas como Leonardo da Vinci, Rafael, Miguel Ángel, Brunelleschi y ejemplos de arquitectura renacentista en España. Brevemente describe poemas de Gar
0a.- THE RENAISSANCE ERA (1) - INTRODUCTION.pptx
Este documento resume las características principales del Renacimiento, incluyendo el cambio desde una mentalidad teocéntrica a antropocéntrica, el énfasis en la educación y el regreso a las ideas clásicas de Grecia y Roma. Destaca obras maestras de arte renacentista de artistas como Leonardo da Vinci, Rafael, Miguel Ángel y Brunelleschi. También menciona poemas de Fray Luis de León y Garcilaso de la Vega que reflejan ideales renacentistas, así como una cita de Cervantes sobre la
0a. el renacimiento (1) - introducción
El documento proporciona una introducción general al Renacimiento en Europa entre los siglos XV y XVI. Resalta que durante este período hubo una transición del teocentrismo de la Edad Media al antropocentrismo, con el ser humano como centro del universo. También hubo avances en las ciencias, las artes y la literatura, con una mentalidad más abierta y basada en la razón y la contemplación de la naturaleza. Las artes plásticas como la pintura y la arquitectura florecieron y reflejaron los ideales
0a. the renaissance era (1) - introduction
Este documento proporciona una introducción general sobre el Renacimiento (1400-1600) en términos de pintura, arquitectura y literatura. Resalta las características clave del Renacimiento como el énfasis en el humanismo, la educación y el regreso a las ideas clásicas de Grecia y Roma. También presenta ejemplos notables de artistas renacentistas como Leonardo da Vinci, Rafael, Miguel Ángel, Brunelleschi y sus obras maestras. Por último, cita extractos literarios de autores renacentistas españoles
1b. the renaissance era (2) - instruments
During the Renaissance period, instrumental music was developed both in small ensembles and solo pieces. String instruments popular during this time included the lute, vihuela, harp, and viol. Important wind instruments were the recorder, crumhorn, sacbut, cornetto, serpent, and shawn. Keyboard instruments like the virginal, spinet, and positive organ were also used. Percussion was provided by tambourines, hand drums, and drums. Music was a popular pastime and instruments could be played solo or together in consorts.
1a. el renacimiento (2) - instrumentos
Durante el Renacimiento, la música instrumental se desarrolló tanto en pequeños grupos como en obras para solista. Los instrumentos más comunes incluían cuerdas como el laúd, la vihuela y la viola da gamba, vientos como la flauta de pico y el cornetto, teclados como el virginal y la espineta, e instrumentos de percusión como la pandereta y el pandero.
0a. la edad media
Este documento describe la transición entre el período románico y gótico en la música y la arquitectura medievales. 1) El románico se caracterizó por la monodia y las pequeñas iglesias con muros gruesos, reflejando el canto gregoriano monódico. 2) El gótico vio el desarrollo de la polifonía y grandes catedrales con vitrales, reflejando la superposición de voces. 3) La música evolucionó de la monodia gregoriana a formas polifónic
0a. the middle ages
Este documento resume la evolución de la música en la Edad Media, desde el canto gregoriano monofónico de la era románica hasta la polifonía de la era gótica. Describe el desarrollo del canto gregoriano y luego la aparición de la polifonía en el siglo IX con técnicas como el órgano y el discanto. Explica las escuelas de Ars Antiqua y Ars Nova, con compositores como Pérotin y Guillaume de Machaut. Finalmente, señala que el periodo Ars Nova sent
0 romanticismo
El documento describe las características del Romanticismo en la música, incluyendo los sentimientos de individualismo y subjetivismo, la libertad creativa, y el uso de nuevos lenguajes musicales. Explica los principales géneros musicales románticos como el lied vocal, la ópera, la música de cámara para pequeños grupos, y la música orquestal como la sinfonía y el poema sinfónico. También menciona a compositores importantes como Chopin, Liszt, Verdi y Wagner.
2a música vocal del renacimiento
Este documento resume los principales géneros musicales vocales del Renacimiento, incluyendo la misa, el motete y el madrigal. Describe a destacados compositores de este periodo como Palestrina, Victoria, Praetorius y Morley, y analiza brevemente sus obras y contribuciones al desarrollo de la polifonía y la música religiosa y profana.
El clasicismo
El período clásico se caracteriza por la búsqueda de la belleza, el equilibrio y la sencillez mediante la vuelta a los ideales de la cultura clásica griega y romana. La música clásica se define por la claridad y sencillez de las melodías y la textura de melodía acompañada, huye de la complejidad barroca. Compositores como Haydn, Mozart y Beethoven crearon obras maestras siguiendo estas características.
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2b - RENAISSANCE VOCAL MUSIC.pptx
- 1. RENAISSANCE VOCAL MUSIC The Golden Age of Polyphony
- 2. Vocal Music: main genres (1) SACRED VOCAL MUSIC Catholic (Spain, Italy) Mass and Motet (Latin) Protestant (Germany) Lutheran chorale (German) Anglican (England) Anthem (English)
- 3. Sacred music: Mass and Motet
- 4. G. P. da PALESTRINA (c. 1525-1594) (Cf. Wikipedia) Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music. He wrote masses, motets and madrigals. He is considered as the best-known 16th-century representative of the Roman School of musical composition.He had a lasting influence on the development of church music, And his work has often been seen as the culmination of Renaissance polyphony.
- 5. Giovanni Pierluigi da PALESTRINA: excerpt from “Kyrie”, Pope Marcello Mass (1)
- 6. Giovanni Pierluigi da PALESTRINA: excerpt from “Kyrie”, Pope Marcello Mass (2)
- 7. T. L. de VICTORIA (c. 1548 - 1611) (Cf. Wikipedia) Tomás Luis de Victoria was the most famous composer, organist and singer in 16th-century Spain, and was one of the most important composers of the Counter Reformation, along with Palestrina and Lasso. He is considered as one of the best relevant composers of rhis time, with an innovative style that announced the Baroque style. When he was 19 years old he travelled to Rome and he became Palestrina´s student.
- 8. Tomás Luis de VICTORIA: excerpt from motet Magi Viderunt Stellam (1)
- 9. Michael PRAETORIUS (1571-1621) Michael Praetorius was a German Composer, kapellmeister and organist. He was one of the most versatile composers of his time and he influenced the development of musical forms based in protestant hymns. He was born in Creuzburg (Thuringia) in a strict lutheran family, a condition that determined his musical career. His father was a student with Martin Luther. He worked for three years in the Saxon court in Dresde, where he was influenced by Italian composers.
- 10. Michael PRAETORIUS: excerpt from chorale “Es ist ein Ros´entsprungen”
- 11. Vocal Music: Main Genres (2) SECULAR VOCAL MUSIC SPAIN VILLANCIC O ROMANCE MADRIGAL ENGLAND MADRIGAL GERMAN Y LIED ITALY VILLANEL LA FROTTOLA BALLETTO FRANCE CHANSON
- 12. Secular Music: Madrigal and Villancico
- 13. Thomas MORLEY (1557?-1602) (Cf. Wikipedia) Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. He became organist at St. Paul´s Cathedral. He was the most famous composer of secular music In Elizabethan England.
- 14. Thomas MORLEY: Sing we and chant it (1)
- 15. Thomas MORLEY: Sing we and chant it (2)
- 16. Juan del ENCINA (1469-1529) Juan del Encina was was a Spanish composer, poet and playwright. He joined Salamanca Cathedral as a boy chorister and later on he más tarde he studied Law in Salamanca University. In 1496 he published his Cancionero, a collection of dramatic and lyrical poems. It appears also in Cancionero musical de Palacio (15th century), a collection of short choral pieces by many Spanish composers of that time.
- 17. Juan del ENCINA: Hoy comamos y bebamos