1. LA PINTURA IMPRESIONISTA Nace como una evolución a ultranza del Realismo y de la Escuela paisajística francesa lic. blanca alicia martínez cano

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3. La libertad figurativa y los comienzos del arte moderno La temática, la composición, el tono, la figura, la luz, el sentimiento … todo, se volvió objeto de estudio y de experimentación, bajo la mirada sospechosa de las instituciones culturales y el aplauso constante de los nuevos públicos y los jóvenes coleccionistas. lic. blanca alicia martínez cano

4. Francisco de Goya (1746-1828) lic. blanca alicia martínez cano

6. William Turner (1775 – 1851) en Londres lic. blanca alicia martínez cano

7. lic. blanca alicia martínez cano Ciudad a orillas de un río con crepúsculo, 1833 William Turner Tate Gallery Acuarela 13,4 x 18,9 cm.

9. Jean-Baptiste-Camille Corot 1796-1875 MAXIMO REPRESENTANTE DE LA ESCUELA PAISAJISTICA DE BARBIZON, ANTECEDENTE DIRECTO DEL MOVIMIENTO. lic. blanca alicia martínez cano

10. lic. blanca alicia martínez cano El puente de Nantes, 1868-70 lo uvre Oleo sobre lienzo 38 x 56 cm.

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20. 1863 : Salon des Refusés lic. blanca alicia martínez cano

23. EL ESCANDALO Edouard Manet (1832 – 1883) ES CONSIDERADO EL PADRE DEL MOVIMIENTO 1863; “Le Déjeuner sur l'herbe,” (Desayuno en la hierba) Musee d'Orsay; óleo sobre lienzo, 81 x 101 cm lic. blanca alicia martínez cano

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28. lic. blanca alicia martínez cano MANET, Edouard Olympia 1863 Oil on canvas 130.5 x 190 cm Musee d'Orsay, Paris

30. 1874 : IMPRESIONISMO UN NUEVO PUNTO DE VISTA, UNA NUEVA TEORIA DEL COLOR, NUEVA TEMATICA, NUEVA COMPOSICION DEL ESPACIO. lic. blanca alicia martínez cano

35. CLAUDE MONET (1840-1926) He altered his technique according to his sense of the quality of the whole, whether joyous or somber, that he wanted to construct in response to the powerful stimulus from the object that engaged him in the act of painting lic. blanca alicia martínez cano

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41. Camille Pissarro (1830 - 1903) French Impressionist painter, who endured prolonged financial hardship in keeping faith with the aims of Impressionism. Despite acute eye trouble, his later years were his most prolific. lic. blanca alicia martínez cano

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47. ALFRED SISLEY (1839-1899) lic. blanca alicia martínez cano

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51. EDGAR DEGAS (1834-1917) Degas was much harder to take, with his spiny intelligence, his puzzling mixtures of categories, his unconventional cropping and, above all, his "coldness" lic. blanca alicia martínez cano

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56. Pierre-Auguste Renoir (1841 – 1919) French painter. His early works were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women. lic. blanca alicia martínez cano

57. lic. blanca alicia martínez cano Dancer 1874 Oil on canvas 142.5 x 94.5 cm (56 1/8 x 37 1/8") National Gallery of Art, Washington “ Renoir's Danseuses [sic] and the Parisienne are both sketches and nothing more. The figure should not be systematically treated in this loose way. “

58. lic. blanca alicia martínez cano The Theater Box 1874 Oil on canvas 80 x 63.5 cm (31 1/2 x 25") Courtauld Institute Galleries, London "Renoir found himself unable to obtain 500 francs for his Loge , exhibited at Nadar's, for which his brother and a new model, Nini, had posed. The painter eventually pressured grumbling pere Martin into paying 425 for it, the amount he desperately needed for his rent."

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60. PAUL CEZANNE ( 1839 - 1906 ), lic. blanca alicia martínez cano

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65. lic. blanca alicia martínez cano MANET, Edouard Olympia 1863 Oil on canvas 130.5 x 190 cm Musee d'Orsay, Paris

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67. BERTHE MORISOT (1841-1895) French painter and printmaker. The daughter of a government official who was an enthusiastic amateur painter and supporter of the arts. She was also the granddaughter of Fragonard . lic. blanca alicia martínez cano

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71. EL NACIMIENTO DEL ARTE MODERNO CON ESTA SANGRE NUEVA SE REVITALIZO DE TAL MANERA EL MUNDO DE LA PLASTICA QUE HASTA NUESTROS DIAS NO HA DEJADO DE VIBRAR ESE AFAN DE EXPERIMENTACION Y LIBERTAD. lic. blanca alicia martínez cano

73. lic. blanca alicia martínez cano Almuerzo de remeros, 1881 129´5 x 172´7 cm.

75. Para ellos se han terminado los temas grandiosos del pasado. lic. blanca alicia martínez cano

76. lic. blanca alicia martínez cano Titulo: Ensayo de la canción, 1872-74 Autor: Edgar Hilaire Degas Museo: Colección Particular Caracteristicas: Oleo sobre lienzo 81 x 65 cm.

79. lic. blanca alicia martínez cano Almuerzo en el estudio, 1868 118 x 154 cm.

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92. lic. blanca alicia martínez cano http://www.crudeoils.us/html/Barmaid.html

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