El documento describe los diferentes formatos y soportes cinematográficos, incluyendo formatos de 35 mm, 16 mm, y 65 mm. Los formatos más comunes son el 35 mm, pero también existen formatos más estrechos como el 16 mm y formatos más grandes como el 65 mm.
This presentation was created for film production classes - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of the silent era through the creation of the MPPA and includes a brief side trip to explore the impact of McCarthyism.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/5BjcJF4XN7c Please feel free to use it in your classrooms.
This presentation was created in 2009 for a high school film production class and updated in 2020. It provides a visual accompaniment to a classroom lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition including projectors and projection techniques.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Part 4 of 4
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the introduction of color through the end of the studio system and the impact of television.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link: https://youtu.be/WM8AJTdKRpE Please feel free to use it in your classrooms.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the introduction of sound through the end of the studio system with an aside about the McCarthy hearings of the 1950's.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link: https://youtu.be/S_KiKhAS9pA Please feel free to use it in your classrooms.
Cinema is developing day by day.But it's began with horse galloping.So we must know about history and the evolution of cinema..So there are lot of important characteristics and changes we must know about cinema.Hope you like it..
This presentation was created for film production classes - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of the silent era through the creation of the MPPA and includes a brief side trip to explore the impact of McCarthyism.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/5BjcJF4XN7c Please feel free to use it in your classrooms.
This presentation was created in 2009 for a high school film production class and updated in 2020. It provides a visual accompaniment to a classroom lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition including projectors and projection techniques.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Part 4 of 4
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the introduction of color through the end of the studio system and the impact of television.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link: https://youtu.be/WM8AJTdKRpE Please feel free to use it in your classrooms.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the introduction of sound through the end of the studio system with an aside about the McCarthy hearings of the 1950's.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link: https://youtu.be/S_KiKhAS9pA Please feel free to use it in your classrooms.
Cinema is developing day by day.But it's began with horse galloping.So we must know about history and the evolution of cinema..So there are lot of important characteristics and changes we must know about cinema.Hope you like it..
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guideIan Moreno-Melgar
A detailed guide and workbook for Pan's Labyrinth as part of the A-Level Film Studies Specification covering context, a detailed analysis of the film, examinations of Spanish Cinema, Civil War, as well as work on representation and aesthetics as well as the aesthetic influences of Director Guillermo Del Toro.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Pan's Labyrinth A-Level Film Studies student booklet e-book workbook study guideIan Moreno-Melgar
A detailed guide and workbook for Pan's Labyrinth as part of the A-Level Film Studies Specification covering context, a detailed analysis of the film, examinations of Spanish Cinema, Civil War, as well as work on representation and aesthetics as well as the aesthetic influences of Director Guillermo Del Toro.
Instrucciones del procedimiento para la oferta y la gestión conjunta del proceso de admisión a los centros públicos de primer ciclo de educación infantil de Pamplona para el curso 2024-2025.
PRESENTACION DE LA SEMANA NUMERO 8 EN APLICACIONES DE INTERNET
Soportes y Formatos Cinematográficos
1. • Los Formatos.
Formatos de Paso Estrecho.
El 35 mm.
El Formato Mariné.
El Techniscope.
El Vistavisión.
El 16 mm.
El 65 mm.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor TEMARIO
C.
2. • Primer Formato Profesional: 35 mm.
• El 16 mm. El primero en llegar.
• El 8 mm.
• El 9,5 mm. Popular en Europa.
• El Super 8 mm.
• Single 8 mm. De Fuji.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor Formatos de Paso Estrecho.
C.
3. SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor Formatos de Paso Estrecho.
C.
4. Full Screen
Ventanilla Abierta.
Formato 1.33
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Con Lentes Esféricas.
C.
5. Académico.
Formato 1.37
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Con Lentes Esféricas.
C.
6. Formato 1.66
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formatos Panorámicos.
C.
7. Formato 16:9
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formatos Panorámicos.
C.
8. Formato 1.78
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formatos Panorámicos.
C.
9. Formato 1.85
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formatos Panorámicos.
C.
10. Formato 2:1
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formatos Panorámicos.
C.
11. Formato Mariné.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formato Mariné.
C.
12. Formato Techniscope.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Formato Techniscope.
C.
13. Formato Vistavisión.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 35 mm. / Con Lentes Anamórficas.
C.
14. • Arriflex.
BL, BL2, BL3, BL4, BL4s, Arri III, Arri II.
• MovieCam.
SUPERAMÉRICA, COMPACT.
• Panavisión.
Formato Anamórfico, bajo nivel sonoro
grandes prestaciones.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor Cámaras de 35 mm.
C.
15. 16 mm Standart.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 16 mm. / 16 mm. Standart.
C.
16. Super 16 mm.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 16 mm. / Super 16 mm..
C.
17. Super 16 mm ID.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 16 mm. / Super 16 mm ID.
C.
18. • Arriflex. (16 mm.)
SR1, SR2, SR3.
• Aäton. (16 y S 16)
XTR-PROD,
Otras marcas: BL16, MITCHELL, ECLAIR,
CINEMA PRODUCTS, PANAVISION
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 16 mm. / Cámaras de 16 y Super 16.
C.
19. • 65 mm de 5 perforaciones,
de proporción 2.2 : 1
• 65 mm de 8 perforaciones,
de proporción 1.37 : 1
• 65 mm de 10 perforaciones,
de proporción 1.33 : 1
• 65 mm de 15 perforaciones,
sistemas IMAX i OMNIMAX.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 65 mm.
C.
20. • PANAVISION.
• MITCHELL.
• ARRIFLEX.
SOPORTES Y FORMATOS
CINEMATOGRÁFICOS
José Luis Vacaflor El 65 mm. / Cámaras de 65 mm
C.