3. Referencias
Dr. PABLO M. FREIBERG
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Bartolozzi, B. (1982). New sounds for woodwind. London: OXFORD UNIVERSITY PRESS.
Blatter, A. (1980). Instrumentation / Orchestration. New York: Schirmer Books.
Casella, A., & Mortari, V. (1950/2007). La técnica de la orquesta contemporánea. Buenos Aires: Ricordi.
Chenna, A., & Salmi, M. (1994). The contemporary oboe. Milan: RUGGINENTI EDITORE.
Dick, R. (1989). The Other Flute: A Performance Manual of Contemporary Techniques.
Dimpker, C. (2013). Extended Notation: The depiction of the unconventional. Berlín: Lit Verlag.
Farmer, G. (1982). Multiphonics and Other Contemporary Clarinet Techniques. New York: SHALL-u-mo Publications.
Hill,D.(1983/1996). Extendedtechniquesforthehorn:APracticalHandbookforStudents,PerformersandComposers.AlfredMusic.
Latham, A. (2008). Diccionario enciclopédico de la música. México, D. F.: Fondo de cultura económica.
Levine, C., & Mitropoulos-Bott, C. (2005). La flauta: Posibilidades técnicas. Idea Books, S.A.
Piston, W. (1984). Orquestación. Madrid: REAL MUSICAL.
Rehfeldt, P. (1993/2003). New Directions for Clarinet (Segunda ed.). Maryland: Scarecrow Press, Inc.
Roederer, J. (1997). Acústica y Psicoacústica de la Música. Buenos Aires: RICORDI.
Steyn, A. C. (2019). Extended bassoon techniques: Filling the pedagogical gap [Tesis de doctorado no publicada].
Department of Music. Faculty of Humanities. University of Pretoria.
Stone, K. (1980). Music Notation in the Twentieth Century: A Practical Guidebook. New York: W.W. Norton & Company.
Van Cleve, L. (2004). Oboe Unbound: Contemporary Techniques. Maryland: Scarecrow Press, Inc.